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Showing posts with label Anton Chekhov. Show all posts
Showing posts with label Anton Chekhov. Show all posts

Monday, 20 November 2017

The Cherry Orchard at Nottingham Playhouse


We were out again at the theatre last week - not on the Twitter-trending #LoveTheatreDay, but near enough - to see Chekhov's The Cherry Orchard. As a play about the end of an era it was especially fitting, as, after 18 years as artistic director, this was the last production to be directed by Giles Croft at Nottingham Playhouse.

It's a tale of landed gentry, who after years of squandering money are forced to sell their family home to cover debts. Local self-made millionaire Lopakhin believes there's a way to avoid this by developing the eponymous cherry orchard and building holiday homes there, but the family aren't interested; they moan about losing their home and precious orchard but won't do anything to save either. I thought John Elkington was brilliant as Lopakhin (but I'm a bit biased since my youngest was in a production of Kes with him), though if Chekhov's not your thing then you can see him in pantomime soon.
It's probably not the done thing to pick fault with a playwrite of Chekhov's standing, but I'm beginning to wonder if he quite knew how to end a play. When I saw The Seagull a while ago, I thought 'well, I'd have ended things a little earlier'. Same here. There's a moment when everyone has left the stage, and a key is heard 'off' turning in a lock. That's where I'd drop the curtain. Instead there's a 'tidying up' piece from old family servant Firs. Presumably Chekhov knew what he was doing though.







Wednesday, 19 June 2013

The Seagull at Derby Theatre

 Surprisingly this is the first time I've seen a Chekhov play performed 'live' - I've read a lot of them and seen quite a few on TV but never live and to a certain level I'm 'right familiar with Chekhov' just like the heroine of Educating Rita. Maybe there's a feeling that Chekhov is too hard or irrelevant for today, I'm not sure, but when I saw our local theatre were producing The Seagull, I thought it was time to take the plunge. A little conferring with my ex-drama student elder daughter, confirmed my suspicion that The Seagull was one of those Chekhov plays about thwarted ambition, set in the countryside and in which everyone desperately wants to go to Moscow  - this is a bit of a family standing joke, so I nearly burst out laughing when one of the characters started talking about needing to go to Moscow!
Anyway, it turned out to be a very enjoyable evening. The cast were great - and included one of our favourite 'locals' John Elkington who we last saw in Of Mice and Men at Nottingham Playhouse. My only quibble would actually have been with Chekhov himself - I would have ended the play with the dramatic off-stage gunshot, but then I'm not a famous Russian playwright.


This production of The Seagull was a co-production between  Headlong Theatre, The Nuffield, Southampton and Derby Theatre.